Author’s note: Long ago I committed to reading fiction that strengthens my faith instead of dismissing it. I am fine with reading stories of people who struggle with life or with what they believe, as long as they are struggling towards God, not ignoring or shying away from Him. Because of these self-imposed limitations when it comes to reading adult-targeted fiction, I have limited my reading mostly to Christian fiction and classics. Suffice it to say that I have read a fair amount of both over the course of my five decades.
In all of my reading, I have yet to read a book like this one. “Lights on the Mountain” by Cheryl Anne Tuggle is Christian fiction at its best. The characters are so believable that you expect them to step right out of the book so you can marvel at the sunrise together, or share a cup of tea. Their struggles are real, as is their growth: painfully real, as is our human experience. Their story is carefully and beautifully told. This book is written as though it were already a classic.
Tuggle offers her readers a glimpse into mid-20th-century rural Pennsylvanian life, with its clash of cultures and challenges. Characters include a host of rural-minded Americans, a handful of hippies, a pair of Hungarians, a few Romanian “gypsies”, some Orthodox Christians, and more. (One character has Amish roots, but this is anything but another “Amish Christian Fiction” book: his cultural heritage is far from the focus of the book.) The characters interact with believable honesty, by turns disagreeing and misunderstanding; then accepting and helping each other as would be expected in a rural community such as theirs. (I live in Pennsylvania and married into a rural Pennsylvanian family, so I am familiar with such a community.)
Tuggle’s writing is lyrical and poetic. She refuses to spoon-feed her readers, instead inviting them to mull over the story, perhaps re-read sections, and ponder the reading. Her expertly-crafted sentences are clad in words befitting their message, saying just enough to allow the reader to find the pieces of the many puzzles in the story. Tuggle’s words spin ordinary farm life into gold, without sugar-coating the dirt.
“Lights on the Mountain” is filled with purposeful pain, glazed with moments of joy. How else could the story of a boy-becoming-a-man be genuinely told? The readers follow pensive Jess Hazel from his late boyhood through the moment when he fully embraces his adult responsibilities. Constant to his tale is the everyday glory of life on the farm. A host of colorful characters appear in different parts of his life, and not until the end of the book does the reader fully understand each one’s significance. True to life, some parts of this account leave the reader hanging until the parts come full circle, and there is beautiful completion.
This book is an interesting blend of thoughtful words, difficult subject matter, complex characters, deep faith, and simple glories. Readers will come away from reading “Lights on the Mountain” knowing that their time was well spent. I’ll warrant that many of them will read the book again, to revisit the characters and gain further insight into the puzzle pieces that they missed the first time around. I am particular with my fiction selection, and I will be among those re-readers.
By the way, according to my research, Tsura is a Romanian name. It means “light of dawn.” You’ll find that interesting when you read the book.
Purchase your own copy of “Lights on the Mountain” here: https://paracletepress.com/products/lights-on-the-mountain
Watch the trailer for the book here: https://youtu.be/VfCLI998hh4
While this book is a work of fiction, the insights that it offers will encourage you as a Christian, a spouse, and/or a parent. Here are a few gleanings from the book, to offer you a tiny taste:
“No doubt his father was right. Clyde always was. The beam of light probably was an extraordinary reflection of the everyday sun, but did that mean it couldn’t also be more? It might also be a kind of ladder, the means for God to get down to this patch of soil Hazels had been working since old Penn first claimed these woods and set things back to the way they used to be.” (pp. 19-20, “Lights on the Mountain” by Cheryl Anne Tuggle)
“Now that he knew how it was a man should live, it was clear that it was no more than his lot to do so. He still grieved, still felt acutely the pain of his aloneness. But there was a great deal of solace, he found, in taking Clyde’s approach to existence. Acceptance had its own plain reward. To be sure, living in such a way, a man’s sense of wonder was muted. But so was his sense of tragedy. Jess did not pine now for the old joy or wish for knowledge beyond his ken. And except for that which he now put in himself, and that which ought to be placed (with caution) in his fellow man, he did not long for faith. He did not long at all. Or he did but did not know it. And then, while he was longing without being aware that he longed, Gracie came to him. In the cool
of an evening. Almost as if she’d been sent. As if someone knew it was not good for man to be alone.” (pp. 42-43, “Lights on the Mountain” by Cheryl Anne Tuggle)
“For if there was anything he knew about Gracie Morozov after three months of loving her, it was that she was serious about God. It wasn’t a thing she talked about endlessly like some religious girls Jess had known—she seemed to take her faith as a natural gift, much as she did the shine and gloss of her hair or the unusual hue of her eyes, and rarely spoke of it directly, but he would have to be a fool not to see how it affected everything she said and did.” (pp. 65-66, “Lights on the Mountain” by Cheryl Anne Tuggle)
“She was quiet for a minute, thinking. Then she said, ‘I haven’t met Mr. Zook. But he’s human, right? And don’t we all suffer? We all have weaknesses. Injuries. Battle scars. Sins. Even the Amish. Straw hats and horse-drawn buggies don’t buy paradise. Or else none of us would need a savior.’”(p. 102, “Lights on the Mountain” by Cheryl Anne Tuggle)
“It seemed to Jess that he was being humbled on purpose, as if having stood for a few brief moments before the icon of Christ, he was now somehow standing within it, viewing himself through those all-seeing eyes. And from this view it was pretty clear that he had acquired more than just his father’s so-called natural way of taking his place the world. He had also acquired his stiff-neckedness. ‘There’s a way seems right to man,’ he remembered Orville Hays saying, ‘and oft times it isn’t.’ Jess wondered then if this was to be the response to his prayer. (If indeed such silent groaning was prayer.) God, after all these years, speaking to him in voices he could recognize. Or (and this was a sorrowful thought, weighted with regret) it could be that God had been speaking all along, and Jess only could not hear because he was not with any real amount of honesty listening.” (p. 184, “Lights on the Mountain” by Cheryl Anne Tuggle)
“Silence is a good teacher, but most of us make poor students.” (p. 210, “Lights on the Mountain” by Cheryl Anne Tuggle)
“‘There is a prayer we make to Christ,’ Father Daniel said, his voice growing tenderer, as if he’d heard Jess’s thoughts, knew the reason for his sigh. ‘“Wound my heart with love for you.” Is that not a strange request? It’s madness! And yet, don’t we understand it, you and me? At least a little. From the moment I saw you, I said to myself, now here’s a pilgrim I recognize. A fellow wounded. He has heard tales of a singular healing salve and has been limping about the earth to find out if one truly exists. Tonight, you’ve made a discovery. Yes, this miraculous ointment does exist. And what is it? More madness! More sweet pain to be endured. More sorrow mingled with joy. It’s love.’”(p. 214, “Lights on the Mountain” by Cheryl Anne Tuggle)